lila
Lila Maria Casey
I tried to make it without a basket, I grabbed too many things
You did a good job
Thank you. How was your day?
It was a good day, A good day
It’s hard for me to have a bad day here
a bad day is in jail
a bad day is in the hospital bed
Yes, I would believe so
Are you okay?
Yes, I’m good
Hey, you’re gonna be okay. Whatever’s going on. You’re going to do big things. I believe in you.
I believe in you too, thank you
Want to:
go to the opera
drawing
music
Call Noah
If there was anything in my life I was sure I did not want to be, it was a writer. Every physical manifestation of sentences I composed of the thoughts within my brain read back to me as dark, twisted, evil. Dark, twisted, evil. That could not have been me who had written that, but some form of my subconscious, created from the outside world, yes that was it, that was why it was so dark and twisted, because it was not me at all.
I lived in a world that did not exist. A completely made up one, which is strange because I walked about this one quite normally. Quite physically. Quite literally. I felt my feet walk on the ground. I felt the air on my skin. I controlled myself freely, going about my day like any other person, would and did, I grabbed glasses and filled them with water and drank from them. I cooked food in my kitchen, from food that I bought at the store. I talked to my friends for hours on end. I worked a decent job. But I was somewhere that did not exist. My body was there, and I controlled it, but I lived somewhere else. Maybe this is exactly what people meant when they said, she’s lost her mind. Maybe what they meant by that is, that body right there, has lost it’s mind. Because she, she would be me, and I’m perfectly right here. My mind that is. But it’s completely detached from my body.
I must be possessed, I declared over the phone to my father, alone in my bedroom in Berkshire County. What was it grandmother used to say? A-la-ca-see-pa-pa? She spoke in tongues right?
There was something about the trees out there, I couldn’t see them as anything except for people. I looked at a tree and saw a person, it was as simple as that. I looked at everyone around me. How could they not see it too?
So my dark, twisted, thoughts, yes, the ones that lived in my mind, and seemed to be expelled when I put pen to paper, no they were not mine at all. For how could a girl my age think such things? Where had these thoughts even been created? They were not mine, were not mine, were not mine, I was just a vehicle for someone else’s thoughts to carry.
It came back in flashes, no matter how hard I tried to let it go, to make it disappear. I could be out on the top of Primrose hill, as I often was, I could be breathing in the rugged earth and roots of hampstead heath, hearing the strange birds calling out, not my birds, not the ones I knew. And still I saw the thick hot summer air under the North Carolina sky, I heard the buzz of the cicadas, I smelled the pungent salt of the marsh, I felt the crabs scuttle by. It was sunscreen and cigarettes no matter where I went.
It’s late. It’s late and it’s hot, that I know. I close my eyes as that’s the expected thing to do at half past three in the morning, rather than get up and start my day, which would be difficult because it is dark and, I would wake the dog which would be quite ironic because I am always trying to get her to sleep in by pretending not to hear her when she starts roaming about so early. So early, she starts sniffing and walking and exploring really, as if she’s never been in my bedroom and seen or heard or smelled anything in there before.
I was young when I visited Normandy for the first time. 11 or so. I didn’t understand death yet or war. I knew of these concepts, yes, I knew all about them by definition. Which is perhaps still the case as I have yet to experience either of these instances myself. But I have learned through research and speaking to those involved with such. I think the farther I am from something, from understanding it, or experiencing it, the more curious I am about it, similar to my interest in outer space, California, and enlightenment, to name a few.
I began to learn about war and death most often in school, in history classes, with a large emphasis on tragedies that occurred that lead us up to this very moment. These complexities, were in fact, complex. Easier to understand by definition, at a surface level, as something to memorize to fill in for a test. We sang songs about the bombings of Hiroshima and Nagasaki, how inappropriate I realize now looking back, but it was a way to trick our brains into remembering these names. Because at a young age, it was overwhelming you see, overwhelming to remember all the names and, overwhelming to try to grasp what had really gone on there.
Reading history textbooks felt as cold and distant as reading the backs of cereal boxes before school each morning. Listening to my teachers wasn’t much different than listening to the muffled radio of Mix 101.5 from the back of my friend’s dad’s truck as I was particularly taken up with the fog and the mist from my breath on the back windows rather than what anyone was really talking about. In one ear and out the other. I understood what was presented to me to an extent.
My understanding of history changed completely when I actually visited Normandy myself. Growing up in rural North Carolina and traveling around there to the beaches and the mountains once I found myself in Paris I was a long way from home.
I ask questions but I ask them quietly
I urge my viewer to ask their own
Ask their own, ask their own, ask their own.
But what does it MEAN? Well you tell me.
What are you trying to SAY? Exactly.
Only the antique stores could make me feel better. I liked pretending I was from another time.
What do I WANT:
What am I GOOD AT:
What brings me JOY:
What are my STRENGTHS:
What are my weaknesses:
What gives me PURPOSE, or makes me feel PURPOSE:
When does my body feel its best:
When does my body feel its worst:
When does my mind feel its best:
When does my mind feel its worst:
If I could show you my dream life, what would it look like? If I could have everything I wanted knowing I would not and could not fail?
In the next month?
In the next 6 months?
In the next year?
In the next 5 years? (by 30)
In the next 10 years? (by 35)
In the next 20 years? (by 45)
In the next 60 years? (by 85)
At the very bottom of a cul-de-sac, on top of a steep hill, lies an overly triangular house, with one circular window at the highest part of its peak.
The outside is guarded by a mailbox covered in Jasmine, a cobblestone walkway lined with wilted pansies, and blueberry bushes with the tops all eaten off. A set of brick steps brings a tall gray door, the paint peeling off. Rusted gold numbers read 1913.
Through the tall gray door: a chilling black and white marble floor, with old red rugs strewn about. A cream colored staircase leads directly up to a landing with three separate doors. Walking along the hall marble and rugs, to right: a slanted coat closet beneath the stairs, never used, and to the left, a room with a pink couch.
The floor has shifted to layers of old wood. Across from the pink couch sits a withered brown piano, that has remained out of tune no matter how many times a man has come to fix it. The walls are lined with shelves of books that peel apart at their spines, coupled with collected shells and rocks and leaves.
Through the pink couch room is a small half bath, most notably here, lies the smallest red rug of the entire house, and a framed set of three pressed brown pansies. The mirror is gold and adorned, fit for someone to look and admire, but no one ever does.
Across from the bathroom is the master bedroom. A grand oak mirror, a grand oak bench, and a grand oak bed frame. This room is carpeted, a light brown, but the red oriental remains a constant appearing now in the patterns of the quilt lining the bottom of the bed. Two oak side tables with two matching lamps, each riddled with coffee mug stains and and towers of books.
Back outside of the bedroom, beyond it and the half bath, is the living room. White cabinets dominate one wall, the paint peeling and cracking. A shiny brown coffee table, in the shape somewhere between a rectangle and an octogon, where we played cards, and Clue, and my mother told us when her dad died. The couches are sprawling and sunken in. One is a deep brown leather and full of chestnut colored scratches, the other a soft tan fabric, a cross between velvet and satin. The red oriental rug here is the most dominant of all in the house, with it’s green and yellow patterns creating shapes to be studied and pathways to be followed.
Indexicality: something about intention?
-
Because, a photo taken of the sea to show the sea I guess would be indexical - but -
-
If i take a photo of the sea not wanting to show you the sea, i want to resemble the sea, for one to then remember the sea - is my image indexical, conceptual, does it resemble, or does it represent?
Upon revisiting my film today, I again felt stuck.
I got up and went to my favorite cafe to sit outside with a tea and read my book.
I wasn’t remotely upset; as I’ve felt defeated by these films time and time again, so at this point it is neutral.
If anything, I was excited to go sit and people watch and catch the last hour of the dying sun at 3pm.
I knew the cafe would be slow, and it was. I got my favorite spot outside, with just one other being sitting 2 seats down from me.
I tried a new tea, which warmed my cold hands, and I got on to reading.
I know when I look tortured. I’ve sat at that cafe, hiding in sunglasses indoors, wrapped in scarves and clothes and hats and noise cancelling headphones, scribbling away my deepest secrets in my diary. This today, was not that. I looked like a pleasant, plain girl enjoying her afternoon tea.
So how strange of this man, two seats down from me, to say what he said.
He began to pack up his things to move inside as it was getting progressively chillier, and he spoke out to me with a soft confidence.
Excuse me, hi, if you don’t mind me saying, I have something to tell you.
Oh, no worries at all, go right ahead.
Well, I’m getting these, or sensing these, themes surrounding you and, I find I have to share them, other wise I start to get clogged up. May I?
Oddly, I’m not even surprised by this encounter.
By all means, take this with a grain of salt. It’s just what I’m getting and need to share with you. Whatever it is that you are trying to do, and whatever you feel is stopping you, please just do it. It’s human nature to come up with any kind of excuses, and the truth is, no one is stopping you but yourself. Whatever you’re trying to do and whatever you feel is stopping you, it’s not. Keep going.
This is, extremely universal. But, I’ll chat with a friendly stranger any day. There is something to learn from everyone.
Funny you say that. I’ve just come to clear my head, from editing films, that I’ve never been able to get together. And I just keep getting in my own way with it I think. I’m not sure all the reaons as to why but, yeah, thanks for sharing.
Well, you see, I don’t think it’s exactly that. Or that, it’s more than that. As in, there’s something much larger going on here.
I play into this. I need to play into this. It’s a joy that I get to play into this.
Yes, I say, you see, what I was just thinking before I stopped editing my films was, and why I had such a hard time with it this far is, I feel these film rolls taught me exactly it is what I don’t want to do. There are moments that hint at what I want to create going forward but, what I want to do isn’t in the film reels. I have so many ideas for what I want to do going forward and, how I want to do it even but, I haven’t done it yet. Or anything surrounding it.
Ah yes, the manuscript. Now I’m not in anyway saying burn the manuscript but, I spoke to a writer once who wrote and wrote and wrote, everything he thought a book should be. But it never felt right to him. And it wasn’t until he burned that book, the manuscript, until he could go out, take all he’d learned from it, and rewritten what it is he wanted to write all along. Now, there are things that come easy. Writing the manuscript is the easy part. But burning it, and starting again, and doing what your soul is asking you to do, that is the hard part. But it can be done. It takes work. It takes your soul. It can be unpleasant. And just because its unpleasant, doesn’t make it wrong. And just because something else may come easy, doesn’t make that right. You have to do what it is you feel you have to do.
I hear that, completely.
You write as well?
Yes I write
You have to share
If you’re called to make you have to share it with the world
And it doesn’t have to make sense. Logic is getting in your way. Stop trying to make it make sense and just do what you want. I can’t express that to you enough.
8mm film
16mm film
projector
visual effects
color grading
tuning forks
omnichord
cassette tapes
bells
midi
synthesizer
computer
piano
harmonica
sounds of nature
Ask for renewal,
but shield from rain
Won’t you let the droplets
on your face?
Can you accept this precious gift
of peace
and purity
offered through mist?
Will you let go
Will you run free
Will you surrender
on your knees?
Or will you sink your feet
and clench your fists
And drag your notions
by their wrists
I’ll go kicking
I’ll go screaming
Free the past,
to stop the bleeding
Fly little sparrow
open your wings
after all it was you
who cut the strings
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Taxi Driver
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Chungking Express
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La Piscine
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Death in Venice
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Badlands
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Midnight in Paris
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Requiam for a Dream
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Gummo
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Kids
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Boogie nights
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Chinatown
All Wes, All Coppola
One in a million
not as a rarity
but rather
a
replica
Judy Jetson
You and your perfect hair
it’s an attack to me and my character
the question of
who are you without your name
becomes increasingly pressing
show yourself
reveal it to me
what’s the price for me to see
personally:
-
animal symbolism
-
personal sound healing instruments
-
paint
-
charge my crystals
-
somatic dancing
Short Stories:
-
Lamb to the Slaughter, Skin/ Roald Dahl
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Transformation, the Invisible Girl, the Mortal Immortal/ Mary Shelley
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Moments of Being, Lappin and Lapinova,The New Dress/ Virginia Woolfe
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The Tell Tale Heart/ Edgar Allen Poe
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A Clean Well Lighted Place/ Ernest Hemingway
• 6. Bernice Bobs Her Hair, Winter Dreams/ Fitzgerald
Missing:
Extension of shadow fish with sharks
Do I need titles/ intro outro
definitely the changing of the seasons
not in a negative way- a purgatory state
they’re all souls, they’re all sentient, but they live in such parameters
extremely tragic, but they don’t know it’s tragic, but maybe they do
street cleaning interlude
the rise and the fall
with what plastic soldiers
could not recall
falling, falling, falling, dreaming
my head flat on the wooden floor
that’s so crazy!
my own voice wakes me
in a room full of people
silent - a pin drops
the voice that screams is only in my head
i wish to stay, deep underneath -
far, far away -
but they need me here
I need me here
now i’m gone
if i should become a stranger
who am i
but who are you
one plus one
is always two
ask me who invented numbers
ask me who invented sky
ask me who invented darkness
ask me who invented light
to that person i would run to
to that person i would fly
so why is it i shrug my shoulders
so why is it that i hide
there is no strength in pretending
strength in self
strength in surroundings
I am an artist
how long is forever
and what does forever mean
what happens when we die
do we go on for eternity?
the disconnect may be from language
some from heaven,
some from hell -
though we’re born into one mother tongue
there are many we can spell
there are two sides to every coin
the saturn and the sun
the understanding and the wrongdoing
lie together just as one
the playing field becomes level
when you accept without proof
that there is no “knight in shining armor”
coming to bear the truth
there is no forgiveness
without the acceptance of pain
there is no allowance
until you understand your blame
there will always be excuses
and another place to go
you must face the thing you run from
if what you wish for is to grow
two halves do not make a whole
nor does a house make a home
and just because you have knowledge
does not mean that you are known.
the dancing eels might tell you things
passing messages to carry
but just because you’re worn down
does not mean that you are weary
Alas, you must walk forward!
with your face turned to the sun
We must build the chariot together
if we wish to be as one.
do not shoot the messenger
for he has not come to kill
he’s only come to lead you
to your eternal will
condensed mic, more specific
48V button called phantom power
click the i or little head phone - then unselect for the wavelength
input 2, see the signal coming through
comes in as mono , coming out as stereo
People say there’s such thing as
a devil and angel on your shoulder but
I have two dancing eels that
look almost exactly alike
Two different beings
two different ideas
that do not sit separately but rather
intertwine and
blur together in
a confusing
and elegant way
It’s hard to tell which is which
I decide to ignore both eels and
focus on what they dance around
the heart and soul of
what I truly want
today:
vinyasa 1:45
drugs, money, fortune, and fame
is that what it takes to know a name?
hey andrew,
I hope this email finds you well. My name is Lila, and I met you maybe half a year ago, we chatted for a while about color photographers in the 70s. I don’t remember much of the content of the conversation it
tmr:
wake up 9:15
leave 10:15
10:30-12:30
poems
test
here i am/
here am i
politely put in space and time
finish films
send other poeple stuff as well
yoga and meditation
learning italian
piano lessons
grounding class
possibly sound healing: check dates
maybe paris
maybe morocco
pray pray pray pray
I say I don’t know why I ended up in Arizona but that my friend is a lie. My life in London was cold, dark, and wet. I wanted the opposite: hot, bright, and dry. I wanted it to be so hot that it felt like I was inside of an oven. I wanted sweat to drip down my body and for it to feel good. I wanted the inside of my nose and the underneaths of my fingernails to be caked with dust from the desert. I wanted to hear nothing but the air and the wind and the bats and owls at night. I wanted myself to dry up into a bit of nothingness out here and forget that the rest of the world existed. Not exactly the rest of the world, but my place in it. Or the way I inserted myself into it. I wanted to forget that I existed. In New York, London, and Paris, it was impossible to forget. My positioning was long in the forefront of my mind. Mirror after mirror after mirror held up to me reminding me exactly where I was. Which stop to get off at. When I never even wanted to get on. My body went against the world that whipped against it right back, chaos and energy whiplashed into my body and ricochet into my mind. Ringing, ringing, ringing of the ears. Mirror after mirror after mirror. More stops to get on and get off at and I kept buying tickets for the ride. I disappeared long ago while a shell of myself remained, buying these goddamned tickets. This shell was a puppet on strings inside of a board game. Ringing, ringing, ringing, around, around, around.
unfortunate and fortunate are really quite the same
(/two of the same?)
depends on how you play the pieces in this wicked game
not everyone was taught the rules, the problem here you see
they seem to bend and morph and shape
depending on one’s need
one for love,
and two for pain,
three points to forget your name
you can count the cards
but play the hand
up until you leave the land
what is liberation of the soul
is it when death comes knocking on my door
is it when i want no more
than for my own two feet to touch the floor
Transformation
in the future there is sorrow
what does not exist is in the morrow
potential is the mask of escape
only presence knows the place
Hey Mom, thanks for your help with the italian stuff. Hoping that works out eventually I’ll be checking in my portal now that I can get back in. I hope you’ve been doing well and sincerely so glad you had so much fun in Italy. I enjoyed seeing the pictures,
My spirit flows/
willingly to those/
who ask for a sip of water
who wish to wash their feet/
or back by the shore/
and listen
my words are quiet/
but ring out loud/
and wake the birds who sleep
throw me a stone/
i’ll surely accept/
i’d throw one back/
but i can’t
the fish that swim/
beneath the surface/
are mostly for me/
i’m sorry
it comes to me in dreams
birds of paradise
Superstar Frank
I lost my mind a long time ago
2 years to be exact
can’t recognize myself in the mirror but
I don’t want it back
i’d rather morph over
a million times again
fear is my biggest teacher
i’ll follow wherever it goes
feels like midnight
on a hot summers day
except it’s morning early morning
and starting to rain
freezing rain
i left my girl back home
in monica plains
and i went out on my own
i’m not a mind reader
though you’d like me to be
i’m selling everything i own phase
pneumonia phase
reading classics phase
going to run the berlin marathon phase
getting drunk phase
get high out of my mind phase
matthew mcconehey greenlights phase
doing the inner work phase phase
Joan Baez folk phase
online shopping phase
i’m going to be a yoga instructor phase
im moving to new york phase
i’m moving out west phase
ran out hydroxazine insomnia phase
bought a juul phase
i’m moving in with mom phase
i’m moving back to london phase
i’m going to harvard phase
*ACTUALLY GOES TO HARVARD*
(moves back to london)
drive 4-4:45
should have TSA/ clear, go through security at 4:45am
board 5:25am
Unabridged Dover republication (1979) of the original work Photographs by Man Ray: 1920 Paris 1934, originally published by James Thrall Soby in Hartford, Connecticut, in 1934. Reprinted in New York, New York.
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go ask alice
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living french
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bugs bunny
-
last one standing you saw it all
i can count on one hand who i thought it might be
only a guess
only a dream
i prefer to make you up in my mind
one step ahead
yet always behind
to live in a world that does not exist
you stay in the sun
i stay in the mist
safer here in a land of my own
at peace among strangers
is better than known
i’ll sit with you on your bedroom floor
flowers grow from ash-essss
i went searching for my family
the ones who lived in
the birds and the trees
and the wind and the breeze
they called out to me
the hills cried out
ever so softy
ever so patiently
offering solace and protection
i’d felt it in the shoebox new york city apartment
in the red tailed hawks that cried out in long island
and in the berkshires of massachusetts
and cambridge
harvard yard
in the north carolina beaches and
in the streets of paris and
(all the landscapes i’ve ever shot in one)
can’t take away the love you gave me
it will always be mine
something i can reach for
feel all the time
phd is out the window
All
I can do
is forgive you
my last attempt at control
an engineer
mastermind
of what is yours
what is mine
so much to give, so little time
the peaks and valleys will always be mine
front seat
back seat
doesn’t matter which way
two sides of the coin to keep evil at bay
Dream journaling
get rid of more things
NO COFFEE
if you’re tired- what’s exhausting you?
fix that.
The pigeons watch from overhead
Day in, and day out
They are my guardian angels
Oh, pish posh! they say
(out of love)
The phone rings to remind me:
Birds do not worry about tomorrow,
and neither should you
It is important to remember
that pigeons sleep too
One star shines overhead - Lo, the star!
(Even if it’s just one star,
it’s enough for me to see in the dark.
I wish to see it in the day,
but it needs some time to rest)
No need to reinvent the wheel
If you do not wish to drive the car
(or bus)
(or boat)
(or plane)
No need for a wheel at all
when you have your own two feet
(and hands)
(and knees)
My dreams - are not your dreams!
No, they cannot be
For you’ve not come from where I’ve come from
or seen what I’ve seen.
But that’s not what makes us different,
or you, you
or me, me -
For we all have visions,
and we all wish to be.
It’s the measure and the martyr,
the half, and the whole,
the top dog, and the lawyer,
who do what they’re told -
It will come when you’re not looking,
but not when you close your eyes -
You won’t find it in your head,
despite how hard you try.
You’ll find it in the world,
it will reveal itself to you
if you keep your eyes open
and make yourself attuned
quick to use the voice others
cling on to their dreams
tether to their mindsets
write yourself into their scenes
susan front of house courtauld
stars
lo the star
lila
Lila Maria Casey
9 cups above my head
not sure of which to choose
Clover
Long and winding road that you never asked to go on
Eagle in the tree
watches of me
sends me on the way
tells me I know how
connected to the moon because we’re all made of water
strange how we need science to make sense of what we feel
who said it was such a bad thing to unravel
just because you’re unsure of what happened
doesn’t make it any less real
from the outside looking in, I have no idea what i'm doing
from the inside looking out, I couldn't tell you either
one thing I can promise is how deeply I've tried
I lose everyone trying to find myself and I do not mind
every path ive gone down
I take every step alone
wade in pale waters-
tie me to grace-
forget me, forget me,
please would you forget me
regret me, regret me
please would you regret me
put it all behind you so that i could do the same
I never asked for your approval - for what from it would I gain?
Attention to the martyr
Attention to the throne
Attention to the lover
Attention to the bone
I have a new found love - letting go with the wind
Nothing's mine to hold onto - no matter how tight the grip
I dont view you. I view me through your eyes.
I see through you
Can you see through me?
What color am I-
pink blue purple violet
Hello? Who's there?
(888) spam risk
red, yellow, blue, it's darkness I choose
Loneliness- a price I'm willing to pay
Rise/Fall
(my insanity is my sanity)
I dance with the devil
Look him in the eyes and smile
just one puff of his cigarette
to make it worth the while
I will not hide any longer
I wish I could burn it all in my brain, all of it. Everything here, that was waiting for me as I'd left. Even Richmond Avenue, the glow of our lights I could only see from the outside in down below, our olive tree on the front porch - the usual fox that lingered by the trash cans - it was almost as if no one had moved a muscle. But I had. I'd changed completely, gutted myself from the inside out.
Everything I do is art.
I believe my body is a vessel, and I let the cosmic order speak through me.
Every decision I've ever made is my own - something to reckon with. Something to own up to. To take accountability for.
How can I say something and mean it?
Do we ever really have agency - or freedom in democracy?
Free will?
To break free of the matrix?
or to endure it?
I believe we do. We can learn to take complete control of our minds, our bodies. That is what our souls came here to do. I deeply believe we all chose to come here - with something to say - with something to do - with something to contribute - we all have powers - we all have intuition - we are all connected to something far greater than ourselves.
It's the cosmic order. The nature of all things.
Is it honest?
Is it pure?
And is it true?
I used to be quite hungry you see - my soul was starving. All of our souls are.
What rules am I subconsciously following?
There are no rules.
I don't understand it, any of it, these expectations that are placed on me, in this world.
Shedding my skin, shedding my skin, shedding my skin, time and time again.
Free will. Do any of us have it?
How do we decide? Who has control over us, over our minds?
If the answer is me, I have control, then why do so many things feel out of my control?
The intrusive thoughts that have plagued me for years - anxiety, addiction, anger, fear.
The same problems follow me wherever I go - sadness, grief, fear -
the fear of being seen,
the fear of being forgotten about -
I've always chosen what makes the most sense.
Close your eyes, don't look at the menu, and tell me what you want.
5, 33
daughter of her son
During my meditation today-
he led us to our final destination, inviting us
to a cave filled with blue light
into an open door
of bright, soft, enveloping light
to symbolize love
we were to feel it,
be it,
experience it,
fully
if we so desired
I entered the door
the soft white light
burned my skin
my body,
an electric current
of energy
fight or flight
Love, this love I experienced
it was unknown to me
my ability to love others-
is it only leveled by the amount I love myself?
And, what dictates the amount I can receive love?
How do I open myself up to it?
Is it possible to love without fear?
Is it possible to be loved without fear?
Let go of that green lamp. Let go of that dream.
What it's connected to - intellectualism.
You cannot own a lamp, when you need to be on the move -
(go? go where?)
Mi manchi. Mi manchi tanto.
Pensieri oscuri... nei pensieri.
vegan, vegan, vegan
sober, sober, sober
will you love me?
will you ever love me for who I am?
(me, to me)
All I want is to know myself. To trust myself. To understand the best I can.
Why I came to this universe.
I am so, wide, awake, it baffles me how the rest do not see it.
All the same. I know I am still blind.
What's my greatest dream?
A dream is but a dream...
but a dream...
Wake up, wake up
open your eyes
See shiny blue carriages
marshmallow skies
sogno realizzato
(fulfilled wish)
(realized dream)